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Vita Gerlinde Böhm

Films

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Ordering films:

DVD Ordering

AGBs


Documentary series:

Worldly possessions


A selection of films:

blick . berlin . dok

Charm of the Andes

Confidence against violence

Escape to Mexico

A small piece of Germany

Home coming - From Berlin to Lima

Señor Turista - Encounters at the Lake Titicaca

 


Contact


     
  Confidence against violence  
  Youth work with members of the extreme right wing.  
 

Gerlinde Böhm Film Production for 3sat (German TV station), 1995
Documentary film, 75 min.
BetaSP, color
Script & director: Gerlinde Böhm
Camera: Klaus Schrader
Sound: Udo Radek
Edit: Christine Boock

 
     
  Bald heads, cliques and a club  
  Gerlinde Böhm Film Production for ZDF (German TV station), 1994
Documentary film, 30 min.
 
     
 

In the midst of another turbulent TV night of news, debates, and talk shows the other night the spectator could discover a thirty minutes long masterpiece, which outshines everything else.

Erwin Leiser, Neue Züricher Zeitung (Swiss newspaper), 10/23/1994

Gerlinde Böhm reveals in her documentary film “Vertrauen gegen Gewalt” (Confidence against Violence) what it means to work with young members of the extreme right wing. For over half a year the film maker accompanied the manager of a youth club in Berlin, which is mostly visited by young people of the extreme right wing.
Tireless tries the social worker to get “his boys” out of the loop of unemployment, boozing, violence, and organized crime. He also tries to antagonize the young people’s indoctrination by the extreme right wing parties and organizations.
Gerlinde Böhm gets very close to the young people in her film. This enables her to make the uncertainty obvious, which the young people try to conceal by their violent behavior.

www.filmbuero-nds.de

Ignorance is another possibility to deal with young people of the extreme right wing, who are ready for violence. The exact opposite did Gerlinde Böhm with her film ‘Bald heads, cliques and a club’, which was shown by the ZDF in its series ‘Kontext’ (…).Her cautious portrait of young people from East Berlin demonstrated how to work with skinheads rather than to isolate them.
Augsburger Allgemeine (German newspaper), 10/20/1994
 
 

 

 
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